从21世纪安全撤离在线播放超高清版
2024-10-18 18:21:37
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还记得小时候想让自己变得更好的梦想吗? 如果忘记了年少时的初心,如果对现在的生活感到失落,如果你最近也有些“疯癫”和“抽象”,那么电影《从21世纪安全撤离》绝对是暑期档最符合你精神状态的一部影片。被网友戏称“病友找病友”、“像吃了电子菌子”的《从21世纪安全撤离》可谓集齐众多新奇、魔幻元素于一身。影片天马行空的将怀旧与科幻、土气与文艺、幼稚与深度等剧烈反差结合到一起,炸裂之余还能带给人思考,让观众在眼花缭乱的视听轰炸中沉浸于其丰富的内涵。 作为一名新锐导演,李阳的第一部作品是2009年制作的一部20分钟的动画短片《李献计历险记》,这部短片在互联网时代一夜爆红。十多年后,长片《从21世纪安全撤离》继承了导演脑洞大开、思维跳脱的风格,讲述了1999年的三个被命运选中的少年,靠打个喷嚏就可以往返未来二十年,外表看似大人,头脑却停留在20年前的“王炸”兄弟组合代表K星拯救未来的故事。 童心未泯,初心不改 童心未泯,初心不改 如果剧情在逻辑上有硬伤,那说明这部电影有破绽;但如果一部电影从头到尾都不讲逻辑,就形成了一种风格。没错,《从21世纪安全撤离》就是具有这样无厘头的风格,通过解构主义和意识流的手法,打破了观众对于常规电影的定义。 从核心设定来看,三个主角闻蒲公英打一个喷嚏就能穿越到20年后的脑洞就很“不讲武德”,从一般电影的逻辑上来说这是完全站不住脚的,但仔细想想哪个有“中二病”的少年没有过类似的想法呢?走的太远却往往会忘记来时的初心,或许重拾童趣、返璞归真才是这部电影真正带给我们的思考,让我们在喧嚣浮华的世界中保持对生活的热爱和好奇。 从风格和创意来看,电影巧妙地将二次元、赛博朋克等元素杂糅,营造出独特的视觉效果。在“王炸”组合穿越到未来的场景中,城市中高楼林立,霓虹灯闪烁,充满了赛博朋克的未来感;而在过去的碎片中时出现的老式游戏机、漫画书等道具则充满了怀旧气息。影片将《我爱我家》、《银翼杀手》、《闲人马大姐》、《红警》、共享单车、国足出线等各种无联系的元素意识流式的混杂再一起,具有浓厚的后现代主义色彩。这些反常规的表现手法,都不是当下时代中“流行”或“正确”的东西,却让观众看到了电影创作新的可能性。 当三个少年带着他们的“热爱”和“中二”来到21世纪时显得有些“幼稚”,但也正是这些纯粹的童心让“长大”后的人们显得有些可笑。 影片中的角色向世界、向观众呐喊“那就不要变坏”、“热爱这个世界”……我们有太久没有回过头想想年少时的初心了,在时间和生活的改变下成为了无趣的“大人”。但在这部电影中,观众们或许可以短暂的停下匆忙的脚步,重新点燃对生活的追求,做回那个充满热情、怀揣梦想和正义的少年。 宿命悲歌之下的不屈灵魂 宿命悲歌之下的不屈灵魂 与风格上的轻松欢快不同,细心品味之下,电影底色有一抹悲凉。三位对未来有所期待的少年早早便知道了未来糟糕的样子,对他们来说这何尝不是一种折磨。原本该中奖的人买什么号码都会中;无论毁掉多少自行车,忙大姐都一定会骑车出事;诚勇的爸爸最终一定会变成植物人……无论如何改变,故事的结局都是注定的。 和《罗拉快跑》类似,《从21世纪安全撤离》用轻松新奇的风格引导观众深入思考宿命论这一古老的哲学命题。如同莫比乌斯环一般,1999年的三人吸入了2019年由他们亲手推入大海的油罐中的化学试剂,使他们能够穿越到20年后,影片完成闭环。 然而,这部电影想要传达的并非是简单地肯定或否定宿命论,而是让观众思考在命运的洪流中应该如何自处。从 21 世纪安全撤离,不仅仅是身体上的逃离,更是心灵上对宿命的超越。 “没关系,我们才十八岁,有得是时间变得更好。” “那如果未来世界变得更糟了呢?” “那就不要变坏。” 他们看到了未来世界糟糕的样子,早早破灭了希望和幻想,却依旧选择在1999年去找到 20 年后会相爱的女孩,勇敢地同命运抗争。 这或许就是真正的英雄主义。 作者:臧韵杰(见习记者) 文:臧韵杰(见习记者)图:剧照编辑:许旸责任编辑:李婷 转载此文请注明出处。 举报/反馈